Showing posts with label LECTURE/CONFERENCE. Show all posts
Showing posts with label LECTURE/CONFERENCE. Show all posts

Wednesday, 9 May 2012

Textile Futurs' Materiality


On the 10th of May, I will have the pleasure to present TFRC's research as part of the seminar series 'Matérialité' organised by LACTH, the Conception, Territory & History research lab of Ecole Nationale Supérieure d'Architecture et de Paysage of Lille.

The presentation entitled 'Textiles futurs: Imaginer, matérialiser un nouveau paysage architectural' will showcase TFRC's research related to textile architecture & sustainable design including Marin Sawa, Jane Scott, Carole Collet's research as well as my own practice.  The lecture will be in French.

For further details: http://www.lille.archi.fr/

Saturday, 28 April 2012

Digital Play - 3rd May - Munich


By the use of more and more complex building automation and communication technologies architecture increasingly turns into adaptive systems, which react to the environment and the user. Architects and designers have to use these technologies also as a design medium and develop a digital sensuality which is more than the simulation of our physical environment.

At the occasion of the launch of the book Digital Utopia, We-are-plan-A is organising an evening talk at the Technical University of Munich entitled Digital Play. Together with´Fabian Hemmert (Design Research Lab, Berlin), Conny Freyer (Troika, London) and Dr. Silke Claus (bayern design), I will address the playful and sensual experiences and possibilites offered by digital technologies.

 This evening is the last of a total of 4-part series of events linked to the publicaiton of "Digital Utopia - On dynamic architectures, digital sensuality and spaces of tomorrow" to be released in May 2012 by the Academy of Arts, Berlin.

Monday, 19 March 2012

Fashion & Textile UK research students networking

This is the fifth year of the association’s annual event to support and provide active networking opportunities for UK M Phil and Ph D students engaged in fashion and/or textiles and fashion and textile related research.

•    The next event will be held on Wednesday 2 May 2012  at BIAD (Birmingham Institute of Art & Design), BCU (Birmingham City University)

•    Each participant will be allocated 10 minutes for a power point presentation to introduce your research and facilitate discussion.

•    It’s a great opportunity to network and develop research synergies.

•    You are eligible to attend from enrolment to one year on following completion. 

•    This is a free event contributing to the Fashion & Textile Courses Association’s support for emerging researchers.   A light lunch and refreshments will be provided courtesy of BIAD.

   To book, you need to submit an abstract by the 25th of april. For further details, please get in touch with  marlene.little@bcu.ac.uk
                          

Wednesday, 25 January 2012

Perspectives on future sustainable design

Come and join us for this exciting TFRC research event at the occasion of Central Saint Martins' Green week on the 6th of February. Further details on TFRC's  blog.

Wednesday, 4 January 2012

Out of Control - 8th International Conference on Design & Emotion

London 11–14 September 2012

The organising committee of the 8th International Conference on Design & Emotion is very pleased to invite you to participate in this event. This conference is a forum held every other year where practitioners, academics and industry leaders meet and exchange knowledge and insights concerning the cross-disciplinary field of design and emotion.

We are looking for researchers, academics and practitioners to submit proposals.

Conference Topic
While Design &Emotion is the overarching focus of the conference–allowing us to consider all aspects of the relationship between human experience and design understood in its widest senses–the theme this year is "Out of Control".

For a number of years, uncertainty, crisis and chaos have been keywords describing the experience of many of us. A world driven by uncertainty, crisis and chaos demands different responses from design (as a community, a practice and a process). On one hand we can mitigate against these designing systems which can withstand, or manage, the challenges they produce. Here there is a focus upon design as a "problem solving" activity. On the other, we can use them as springboards to a creative future. In this way, design as "opportunity mapping" becomes important.

We would like to encompass both of these approaches to design and to examine how they impact upon, or are generated by, the whole spectrum of human emotion experienced at the macro (socio-cultural), micro (personal), meta (philosophical), processural (methodological) and strategic levels.

This conference is open to any theoretical, empirical or methodological work on Design & Emotion and we are particularly interested in receiving papers from researchers, academics and practitioners in the following topic areas (though they are by no means exhaustive and other work relevant to the theme will be considered):

 SOCIETY/CULTURE
Socially Responsive/
Responsible Design
Design for Behavioural Change
Design & Space/Environment
Design for Digital Media
Corporate Social
Responsibility

THE SELF/THE OBJECT
Design & Identity
Design & Well-Being
(incl. food, healthcare & love)
Design & Illusion,
Fake & Fraud
User Experience
(inc. Human Factors & HCI)
Experience Design

THE PHILOPHICAL
Design without Emotion
Design, Affect & the Materiality of Experience
Design, Magic & Enchantment

 PROCESSES, METHODOLOGIES, TOOLS & METHODS
Research Methodologies
Theoretical Foundations
Empirical Approaches

DESIGN, STATEGY & INNOVATION
Design & the Future (foresight/trends)
Designing Services Business Experience Branding

Deadlines
1 February 2012 -Papers & Case Study submissions
1 May 2012 -Workshops/Masterclasses submissions

Further details on the conference website

Friday, 4 November 2011

Digital Crafting Consequences: Symposium

Today digital technologies inform all levels of building practice. As a link between representation, design, analysis and production, digital technologies are both practical tools by which to optimise existing practice as well as speculative media by which to explore its future. By facilitating exchange and feedback between the different knowledge fields of design, engineering and crafts, digital technology holds the potential to effect new answers to the complex challenges of contemporary building practice.
The second Digital Crafting symposium will discuss the future perspectives for a new integrated digital practice. Inviting practitioners from the fields of architecture, engineering and theory to share their experiences and present recent work, the symposium aims to unfold new visions for thinking the links between design, analysis and fabrication. With a focus on interdisciplinary collaboration, bottom up thinking and complex modeling we ask how the shared digital platform can create new material strategies for design.
Digital Crafting is hosted by CITA Centre for IT and Architecture, Royal Danish Academy of Fine Arts, School of Architecture, Design and Conservation.

Date:                     25. Nov 2011 - 10.30h - 17.30h
Venue:                 Royal Academy of Fine Arts, School of Architecture, Design and Conservation Google maps
Auditorium - Rhytmisk Musikkonservatorium
Leo Mathisens Vej 1, Holmen, Copenhagen

Program:
10:15                     Registration and coffee
10:45                     Welcome and introduction Martin Tamke
11.00h Session 1:  Consequences for making
chair: Phil Ayres (CITA)
Antoine Picon - Harvard Graduate School of Design / Cambridge
Fabio Gramazio – ETH / Gramazio Kohler architects / Zuerich
14.00h  Session 2:  Consequences for material practice
chair: Christoph Schindler (schindlersalmeron)
Jan Knippers – TU Stuttgart / Knippers Helbig Engineers / Stuttgart - New York
Marta Malé-Alemany – IAAC Barcelona / AA London
16.00h Session 3:  Consequences for design practice
Tobias Nolte - Gehry Technologies / Paris
Reinhard Kropf – Helen Hard Architects / Stavanger / Norway
17.30 Closing remarks and and of Symposium

The DigitalCrafting symposium addresses practitioners, researchers and students from the fields of architecture, engineering and construction. The symposium is open to the public and free of charge. Due to demand and to support organisation we ask you email your participation: martin.tamke@karch.dk

Monday, 31 October 2011

Sustainable Design - Between Ethics and Aesthetics

Research Seminar November 11th 2011 from 10 am to 4pm
Venue: KUC, Aagade 27, 6000Kolding, Denmark



The SEADS project explores the interplay between ethical and aesthetic values in sustainable design with the aim of promoting sustainable production and consumption. Furthermore, it seeks to strengthen and refine the public and professional debate about design and sustainability.
The seminar will present working papers as well as three keynotes from internationally recognized speakers:


Dr Martina Keitsch is specialized in philosophy, environmental ethics and aesthetics.
Dr Ann Thorpe author of The Designer’s Atlas of Sustainability.
Professor Bente Halkier, sociologist and political scientist author of Consumption challenged. Food in medialised everyday lives.


Registration to Annette Grønbæk ag@dskd.dk, no later than November 4th
Fee including coffee and lunch 150 kr. transfer to bank account reg.: 0216 - konto: 4069032842, please mark the installment seminar 6113.600.5004

Students are welcome without food there is no fee, but you have to register, since we have limited seats.
For more details and the full program see attached file. 
The seminar is organised by members of the SEADS project  – Sustainability, Ethics, Aesthetics, Design and Strategy. SEADS is part of a new Centre for Design, Culture and Management set up in collaboration between Kolding School of Design and University of Southern Denmark .

Friday, 28 October 2011

Textile Research in Process

TRIP: An international symposium exploring the role and relevance of traditional ‘hand skills’ in contemporary textiles, and the value and status of craft process.

Wednesday 16th and Thursday 17th November 2011 School of the Arts - Loughborough University

Technology such as digital embroidery, print and jacquard, laser and rapid prototyping are valuable assets in textile manufacturing but can be limiting and may restrict or exclude creative spontaneity in the design process, development, and production. This may lead to a more superficial approach to the origination of the designs and artefacts, inhibiting conceptual content and promoting mechanical and uniform characteristics where irregularity and subtle variety are less evident in the final textile outcomes. In contrast to this, in relation to traditional processes, human inconsistencies and even error could be promoted as positive qualities, leading to innovation through experimentation and may also embed a desirable degree of character into the textiles. The unexpected can contribute a visual and conceptual depth that is exciting and potentially unique. Within this context the hand-made has acquired a new value and respect in recent years.
Through a series of illustrated presentations and panel discussions by leading artists, designers, researchers and technologists, the symposium will seek to explore and define the role of hand skills and the value of process in contemporary textiles.
Bookings for the Symposium are now being taken..
Keynote Speakers:

Bradley Quinn
Margo Selby
Emma Henderson (Matthew Williamson)

Sunday, 4 September 2011

Ambience Conference 28-30 November 2011



The University of Borås is hosting a very promising conference and exhibition next fall, gathering researchers, artists, designers and architects who challenge the boundaries between art, design and technology. With a foundation in artistic practice the conference will be organized as a meeting place where art, design, architect and technology communities can come together to discuss and share ideas on the interfaces between art and technology development; a place where art, design, architecture and technology can meet and interact, to inform each other, and to bring new ideas back to their own community.

The full programme is about to come but I can already let you know that Jane Scott and I will respectively present a paper. All the details for the conference are available on the conference's website. Looking forward to seeing you there.


Monday, 13 December 2010

Adaptive Architecture Conference


An International Conference at the Building Centre, London,
3-5 March 2011

Architecture has always been inventive and adaptable. However, our current era is unique in its technological potential combined with societal and environmental challenges. The need to generate sustainability, developments in design techniques and technology advances are leading to the emergence of a new Adaptive Architecture.

The built environment is becoming truly responsive in terms of physical, real-time changes acting under intelligent control. Adaptive Architecture can be characterized by four key attributes; it is Dynamic, Transformable, Bio-inspired and Intelligence.

Drawing on these themes, the Adaptive Architecture Conference will bring together leading practitioners, researchers and industry experts who will present built work and practical research. Presenters will demonstrate new types of reconfigurable architecture, and will show how adaptive strategies can extend a building’s life cycle, enhance energy efficiency and optimise resource utilisation.

The conference will be organised into four modules:


Dynamic Facades
Next-generation, responsive facades will be examined, including the creation of a building fabric that is both intelligent and communicative. Presenters will demonstrate systems that are capable of reducing energy demands, enhancing occupant comfort and integrating energy generation into contemporary architecture.


Transformable Structures
Methods to create building-scale structures that change their size and shape will be demonstrated. Speakers will discuss architecture that adapts over different time-scales, whether daily cycles or long term response to changing economic demands, climate adaptation, weather patterns, emergencies and other external factors


Bio-inspired materials
Nature creates responsive organisms and materials that transform, heal, and change colour. These functions originate at the molecular level and scale up to create adaptive systems that actuate by chemical and physical cues. Utilizing insights from the natural world, researchers are now creating a new generation of adaptive materials and devices. Speakers will present state of the art research, and discuss how nature’s strategies can provide inspiration for design

Intelligence
As buildings develop the capacity to adapt, the challenge is to implement effective control where building automation systems, user interfaces and services can interact seamlessly, to embed intelligence within the architecture. Speakers will present current strategies as well as explore the future potential of intelligent systems.


Adaptive Architecture international conference will be running a peer reviewed stream for research papers.

The review committee is composed of:

Philip Beesley, Philip Beesley Architect Inc. and University of Waterloo
Professor Ulrich Knaack, TU Delft
Professor Robert Kronenburg, University of Liverpool
William McLean, University of Westminster
Andrew Scoones, The Building Centre
Holger Schnädelbach, University of Nottingham
Bob Shiel, Bartlett School of Architecture, University College London
Professor Michael Stacey, University of Nottingham

If you are interested in participating in the Adaptive Architecture international conference please contact
adaptivearchitecture@buildingcentre.co.uk

website

Organisers: The Building Centre and The Architecture & Tectonics Research Group of the University of
Nottingham.

Tuesday, 30 November 2010

ArchiTextile. The Textile Medium in Architecture, Past to Present

Zurich, May 19-20, 2011

Concept:
The conference explores the textile medium, technology, material and metaphor in the history and theory of architecture from antiquity to the present. Contemporary experiments and phenomena in the architectural discourse open new perspectives onto the history and theory of architecture. Textile surfaces create architectural, social and topological spaces and are essential to the built space. Their qualities such as elasticity, foldability, plasticity, opacity and transparency are an important part of architectural language, but have not yet been studied systematically. The tension between the textile and the tectonic generates notions such as building as clothing and myths of the textile origins of architecture, and the ornamental grammar of textures connects building structures to the textus, the textual weaving. The textile medium connecting a variety of fields of human activity is equally open to historical, sociological, psychological, technological and aesthetic enquiries as it addresses issues of veiling and revealing and phenomena such as the fold, the fleece, the membrane, the curtain, the interface or the network. Historians and theorists of architecture are invited to reflect on the textility in architecture from a broad thematic and historical perspective as to contributing to a history of the textile medium.

We welcome papers that discuss subjects such as, for instance:

- Myths: textile myths of the origins of architecture (e.g. Moses' Tabernacle); anthropological origins (e.g. Gottfried Semper's Bekleidungsprinzip); nomadism in post-modern theory; modern and contemporary tent structures (e.g. Frei Otto, Herzog & de Meuron); history of the curtain wall

- Identities: sacred textile spaces (e.g. vela and cortinae in Christian, Jewish and Muslim architecture); textile display of power in the medieval and early modern period; gendered interiors (e.g. Adolf Loos, Henry van de Velde)

- Ephemerality: textile spaces in public display (e.g. medieval war tents, contemporary stadiums); theatricality of painted cloths; flexibility, changeability and performativity in contemporary architecture; mobile tents (e.g. medieval travel tents); foldable sails (e.g. antique stadium vela); tent interiors (e.g. Schinkel)

- Materials and Designs: from concrete to fiberglass; translucency of high-tech weavings; digital images and projections in space; texts printed and incised in architectural surfaces; textile geometry; CAD/digital textures; textile interiors; textile structures in urbanism

Please send your proposal for a 20 minutes paper (max. 300 words) together with a short CV and list of publications to mateusz.kapustka@access.uzh.ch. The deadline for the proposals is December 10, 2010. PhD candidates and young researchers are especially welcomed to submit their proposals.

Conference languages are German and English. The organizers will apply for funding as to cover travelling and lodging expenses. Selected papers will be published in a volume of conference proceedings.

Organizers:
Mateusz Kapustka (mateusz.kapustka@access.uzh.ch)
Laurent Stalder (laurent.stalder@gta.arch.ethz.ch)
Philip Ursprung (philip.ursprung@gta.arch.ethz.ch)
Tristan Weddigen (tristan.weddigen@khist.uzh.ch)

Institutions:
Swiss Federal Institute of Technology Zurich
University of Zurich

Link

Monday, 22 November 2010

Computation & Craft Symposium


The Digital Crafting Research network is organizing the first Digital Crafting symposium. It asks how the progressive integration of design, analysis and making challenges the knowledge spaces of design, engineering and craft. It seeks to investigate areas of collaboration and super-imposition, and to discuss the potentials for the discipline.

Leading practitioners and researchers from fields critical to the profession are invited. Designers engaging fabrication and computation within the design process, software developers integrating physical behaviour in design environments and engineers working on the integration of analysis and design will discuss the impact of computation on design from their perspective. Together we will work to synthesise a vision for design and making in the 21st century.

The DigitalCrafting symposium is open to the public and addresses practitioners, students as well as researchers.

Date: Friday 10.12.2010

Venue: Royal Academy of Fine Arts, School of Architecture
Auditorium 2
Philip de Langes Allé 10
1435 Copenhagen K
Denmark

Program: 10.30 Registration
11.00 Intro to the Digital Crafting Symposium and Network - Mette Ramsgard Thomsen, Martin Tamke, Claus Peder Pedersen

11.15 Session 1: Computation and Fabrication – How to fabricate?

Enric Ruiz Geli (cloud9 / Barcelona) http://www.ruiz-geli.com
Martin Antemann (Blumer Lehmann AG/ Gossau) http://www.blumer-lehmann.ch
Fabian Scheurer (designtoproduction / Zuerich) http://www.designtoproduction.com

13.00 Lunch

13.45 Session 2: Computation and Simulation – How to Analyze?
Azam Khan, Autodesk Research (Toronto, Canada) http://www.autodeskresearch.com
Tristan Simmonds (Simmonds Studio / London) http://www.tristansimmonds.com
Sean Ahlquist (icd / University of Stuttgart) http://icd.uni-stuttgart.de

15.25 Coffee break

15.45 Session 3: Computation and Design - How to design?
Michael Meredith (mos-office New York) http://www.mos-office.net
Tobias Wallisser (Lava / AKA Stuttgart) http://www.l-a-v-a.net http://www.architektur.abk-stuttgart.de
Max Maxwell (Supermanouvre / London-NYC) http://www.supermanoeuvre.com/

17.30 Closing remarks and end of Symposium

Wednesday, 25 August 2010

Techtextil & Avantex Symposium 2011: call for papers

The symposiums will be held parallel to Techtextil, International Trade Fair for Technical Textiles and Nonwovens, in Frankfurt am Main/Germany from May 24-26, 2011.

The aim of both symposiums is to generate new impulses for the sectors covered, to boost interdisciplinary communication and to disseminate information about the latest developments and potential applications. The deadline for receipt by Messe Frankfurt is October 15, 2010. A variety of subjects will be covered within the framework of lecture blocks at the two symposiums. The themes planned are as follows:
1. Materials + products from renewable resources, e.g., from bio-polymers, natural fibers
2. Nano-technology and technical textiles – current and potential applications
3. Biomimetics / bionics (textile technology + textile materials, inspired by nature)
4. E-textiles / portable technologies
5. Fashion + Design (innovative garment textiles / Avantex)
6. Intelligent materials, e.g., textile materials with adaptive or reactive properties
7. Technology: new developments in the fields of production, processing, coating, finishing / dressing ...
8. Materials: new developments in the field of fibers and all kinds of technical textiles
9. Composites, textile-reinforced materials
10. Visions: tomorrow’s markets, products and applications
11. Industrial design and / or function of technical textiles.


To submit a lecture proposal, you must firstly register on the internet at www.techtextil2012.abstract-management.de. Proposals must be made in English.

Source

Wednesday, 18 August 2010

Warp + weft: : cross-disciplinary approaches to weave

Warp + Weft

11 Sep 11am - 5pm

The warp and weft symposium will explore how woven structure informs far more than the textiles that surround us.

Directed by Dr Jessica Hemmings (Edinburgh College of Art), invited speakers will consider weaving in relation to topics as diverse as the World Wide Web, poetry, mathematics, architecture and film.

Confirmed speakers include Professor Lesley Millar, curator of a number of key textile exhibitions in the last decade, including “Textual Space” and “Cloth & Culture Now”.

The poet Samantha Wynne-Rhydderch will read from new unpublished work that explores the “unheard voices of witches, weavers and millworkers in West Wales and Lancashire between 1610 and 1910”.

Screenings of short experimental films will explore the rhythms of weaving at the Dovecot Tapestry Studio by filmmaker Matt Hulse and Anne Wilson’s recent “Walking the Warp” project.

Expanding the boundaries of what we might consider as ‘woven’ will provide delegates with an opportunity to reconsider how central weaving is – not only to textiles – but to many other seemingly unrelated disciplines

Download a booking form.

All / Admission by ticket only. Delegates £45, Concessions £25 / Book on (01559) 370929

The National Wool Museum

Drefach Felindre
Carmarthenshire SA44 5UP.

Monday, 26 July 2010

Fabricate / Digital Fabrication Conference


FABRICATE is an internationally peer reviewed conference to be held at The Building Centre in London from 15-16 April 2011. With presentations and conversations between pioneers in design and making within architecture, construction, engineering, manufacturing, materials technology and computation. FABRICATE has emerged as the first in a series of focused events from the highly successful Digital Architecture Conference and Digital Hinterlands Exhibition in London September 2009.

FABRICATE will assess the progressive integration of digital design with manufacturing processes, and its impact on design and making in the 21st century. Discussion on key themes will include: digital craft, representation and realization, material performance and manipulation, off-site and on-site construction, interdisciplinary education, economic and sustainable contexts, automated fabrication, and associated theory.

Organised by The Bartlett School of Architecture, University College London in collaboration with The Building Centre London, this conference intends to frame discussion around the presentation of built or partially built works by individuals or collaborators in research, practice and industry selected from submissions through our Call for Works (deadline 10 September 2010).

Representing the broad disciplinary spectrum from design to production, the presentation of built work will contribute alongside leading invited speakers from Australia, Europe, North America, and Asia. A significant and supportive context for the event will be provided by London’s extensive network of global creative consultancies, many no more than a short stroll away from the venue.

We welcome original, innovative and pioneering projects for the Call for Works and we would also encouraged works in progress to enter too. Submission requirements emphasise strong and informative visual material with succinct analytical text and project synopsis. A major publication based on selected conference submissions together with articles from keynote speakers will be launched in time for the conference.

We hope you will join us in London on 15-16 April 2011.

Bob Sheil & Ruairi Glynn
Co-Chairs of FABRICATE 2011

Wednesday, 21 July 2010

Tangible, Embedded and Embodied Interaction Conference


TEI invite submissions of prototypes and daring ideas, tools and technologies, methods and models, as well as interactive art, interaction design, and user experience that contribute new understandings to the broad area of tangible computing, embodied interaction, interactive surfaces and embedded interactive systems. The 5th edition of the highly successful Tangible, Embedded and Embodied Interaction (TEI) Conference series will be held between 23rd and 26th January 2011 in Funchal, Madeira, Portugal. Papers will be published in the ACM digital library.

In recent years, computing has progressively moved beyond the desktop into new physical and social contexts. As physical artifacts gain new computational behaviors, they become reprogrammable, customizable, repurposable, and interoperable in rich ecologies and diverse contexts. They also become more complex, and require intense design effort in order to be functional, usable, and enjoyable. Designing such systems demands interdisciplinary thinking. Their creation must encompass software, electronics, and mechanics, but also the system’s physical form and behavior, its social and physical milieu, and beyond.

Research on tangible and embedded interaction has gained substantial visibility and activity over the past decade and it has worn many names, including tangible interfaces, graspable interfaces, physical computing, tangible interaction, IT product design, appliance design, interactive spaces. It has also been associated with larger research areas, including mixed, virtual, and augmented reality and ubiquitous and pervasive computing. TEI brings together this emerging field, providing a meeting ground for the diverse communities of research and practice – from computing, hardware, and sensor technology, to HCI, interaction design, and CSCW, to product and industrial design and interactive arts. We invite submissions from all these perspectives, be they theoretical, conceptual, technical, applied, or artistic. The conference is designed to provide appropriate presentation forms for different types of contributions including talks, interactive exhibits, demos or performances, and posters. Accepted submissions of all types will be included in the Proceedings as papers and will be integrated within the single-track conference. Interdisciplinary submissions are particularly welcome.

More info here

Call for papers deadline: 1rst of August

Thursday, 10 June 2010

Digital Relations in Architecture

A PhD Symposium organized by CITA to investigate the impacts & challenges of digital technologies on the way we build and understand space.

I have been part of the organization and I can't wait to present my work in such a context where 17 PhD from three research centres concerned with IT & Architecture: SIAL (Australia), Bartlett (Uk) and CITA (Dk) will be gathered in dialogue with key researchers in the field including, among others, Mark & Jane Burry, Mette Ramsgaard Thomsen or Sean Hanna.

Wednesday, 9 June 2010

New Technologies in Digital Architecture

A bit far away to join but this sounds like a very interesting event for anybody concerns with the impacts of digital technologies on the way we build. Of particular interes is the speech by Ayelet Karmon as it involves textiles !

Friday, 30 April 2010

Design for Interactive System Conference 2010

A bit last minute but a call for short papers & demonstratrion for the Design for Interactive System conference, that will take place next August in Aarhus, Denmark.

The DIS conference addresses design as an integrated activity spanning technical, social, cognitive, organisational, and cultural factors. It brings together professional designers, ethnographers, systems engineers, usability engineers, psychologists, design managers, product managers, academics and anyone involved in the design of interactive systems. DIS 2010 is held in cooperation with ACM SIGCHI.

submission DEADLINES
Please note that deadlines will NOT be extended.

15 February
* Full papers
* Workshop proposals

1 May
* Short papers
* Demonstrations
* Doctoral Consortium

(both dates are interpreted as 18:00 GMT)
See the Submission Details page for submission directions.

CONFERENCE

* 16-17 August: Workshops, Doctoral Consortium, etc.
* 18-20 August: Conference

Find out all the details on the conference's website.

Friday, 9 April 2010

Shape-Morphing Textiles Seminar


An international seminar on shape-morphing textiles organized by Aurélie Mossé for the Centre for IT & Architecture, Royal Academy of Fines Arts, school of Architecture, Copenhagen.

Bringing together a panel of international speakers from the field of polymer science & engineering, textile design & architecture, this seminar will explore the potential of shape-morphing textiles for the home. With the intention to encourage cross-disciplinary dialogue between science & design, the seminar will discuss the opportunities and challenges of shape-morphing technologies while investigating their design perspective & stakes. A particular emphasize will be given to the question of how responsive polymer technologies can merge with fabric to design soft architectural membranes for resilient spaces.

Royal Academy of Fines Arts, School of Architecture, Philip de Langes Allé 10, 1435 Copenhagen

Please note this is a free event but with limited number of seats so please RSVP aurelie.mosse[at]karch.dk if interested.