Showing posts with label CALL FOR. Show all posts
Showing posts with label CALL FOR. Show all posts

Tuesday, 14 August 2012

Assistant Professor of Art in Emerging Practices Design

Stanford University -Department of Art & Art History

A nice teaching opportunity that may be of interest for some of you to spread the textile vibe?

The Department of Art & Art History at Stanford University seeks to make an appointment of a new emerging practices/designer working at the intersection of contemporary art and design at the tenure track level of Assistant Professor. Prospective candidates might create works of art/design in areas such as social structures, community collaborations, interventionist strategies, architecture, interaction design, future technologies, relational aesthetics, environmental remediation, alternative economies, or other emerging areas of contemporary art and design practice.

Candidates should hold an MFA degree, and also should have exceptional credentials as an artist, designer and experience as a teacher at a college level, demonstrating an extensive familiarity with contemporary emerging media in art and design. The successful candidate will have a distinguished body of work and an accomplished public interaction/exhibition record. He or she will have a genuine commitment to teaching design at both the graduate and undergraduate level and will have a global perspective on the role of design and contemporary art. He or she will be prepared to build a curriculum that will reflect that perspective.
The successful candidate will be expected to participate fully in Stanford's art practice program, working with both undergraduate and graduate students, and to provide leadership as the Department of Art & Art History's representative in the Stanford Joint Program in Design, a collaborative graduate program with Stanford's Department of Mechanical Engineering.

Application deadline: October 15, 2012. Please send a letter of introduction and curriculum vitae to Chair, Emerging Practices Design Search Committee, Department of Art & Art History, Stanford University, Stanford, CA 94305-2018. No electronic submissions will be accepted. For further information, please click Apply Online below.
Stanford University is an equal opportunity employer and is committed to increasing the diversity of its faculty. It welcomes nominations of and applications from women and members of minority groups, as well as others who would bring additional dimensions to the university's research and teaching missions.

Source: www.jobs.ac.uk

Monday, 19 March 2012

Fashion & Textile UK research students networking

This is the fifth year of the association’s annual event to support and provide active networking opportunities for UK M Phil and Ph D students engaged in fashion and/or textiles and fashion and textile related research.

•    The next event will be held on Wednesday 2 May 2012  at BIAD (Birmingham Institute of Art & Design), BCU (Birmingham City University)

•    Each participant will be allocated 10 minutes for a power point presentation to introduce your research and facilitate discussion.

•    It’s a great opportunity to network and develop research synergies.

•    You are eligible to attend from enrolment to one year on following completion. 

•    This is a free event contributing to the Fashion & Textile Courses Association’s support for emerging researchers.   A light lunch and refreshments will be provided courtesy of BIAD.

   To book, you need to submit an abstract by the 25th of april. For further details, please get in touch with  marlene.little@bcu.ac.uk
                          

Wednesday, 7 March 2012

Sustainability and Innovation in the Fashion Field - call for paper

 May you be interested in contributing in the area of 'Sustainability and Innovation in the Fashion Field' please consider this call forwarded by The Nordic Textile Journal for their 2012 issue.

 The Nordic Textile Journal brings together interesting results of research in design, textile- and design management, technology and craft. The journal is issued once a year by the Centre for Textile Research, CTF, at the Swedish School of Textiles, University of Borås. The Nordic Textile Journal welcomes research based articles which may be of a scientific or artistic character and report novel achievements or directions in research, exhibition techniques, artistic communications etc. We also welcome articles based on research related reports from conferences, interviews, reviews of books, news and upcoming events. An academic committee reviews the articles in a semi-blind reviewing process to ensure a good academic standard.

The 2012 issue will focus on Sustainability and Innovation in the Fashion Field. A theme which is an important part in one of the two strong R&D programs at the Swedish School of Textiles, F:3 (Fashion, Function, Futures). This program aims to develop new knowledge on the constituents of the textile value chain and the special characteristics of the fashion industry with an important focus on sustainability.

 Deadline: 31 May 2012 

Free access publication
The journal will be published electronically, with free access, six months after the publication date of the printed issue. The electronic version will be published in BADA (Borås Academic Digital Archive) http://bada.hb.se/.
 
Guidelines - articles
- Submitted article manuscripts should be original articles, written in English. They must not be published in the same form earlier or submitted for publication elsewhere.
- The text should be submitted in two copies: one editable copy and one non editable copy in appropriate file formats.
- Photos and other images should be supplied as separate files in an appropriate file format.
- It is the author’s responsibility to obtain the required approval from all the parts involved:
authors, photographers, artists and others.
- There is no page limit specified for contributions, but it is recommended that the material is
presented in a form that is succinct and attractive to read.
- An abstract of no more than 250 words should be supplied as well as 5 essential subject keywords.
- A biography of 3-5 sentences for each author should be supplied as a separate file.
- References should be in Harvard style (the “name-year system”):

For further details, please get in touch with 
Katrin Tijburg
katrin.tijburg@hb.se

Tuesday, 7 February 2012

Interaction Design Programme, Application process opened at CIID


 My colleagues at CIID, Copenhagen,  are looking for students to start their Interaction Design Programme in January 2013. This is a unique inspiring and creative environment where textile designers interested in future textiles, smart materials, new technologies, cross-disciplinary design and obviously interaction design could really bring much to the course.

If you are interested please see further details below and on CIID's website.

There is a rolling deadline but students applying before March 2nd will be given priority.

What CIID Looks For
As an education concerned with the broad potential of design and technology, the Interaction Design Programme is looking for a wide diversity of students. We welcome applicants from all over the world and from any background.

You should be curious and creative; enthusiastic about design and working in a cross-disciplinary environment. Whether you're currently studying or working, you should be interested in the connections between education and interaction design practice. We plan to have a class of up to 25 students.

Requirements
To apply for the Interaction Design Programme, you must have a prior university or college undergraduate degree (or equivalent experience) and submit an application and other supporting documentation. Qualified applications will be invited for a phone interview, after which we will make our final selections.

Wednesday, 4 January 2012

Out of Control - 8th International Conference on Design & Emotion

London 11–14 September 2012

The organising committee of the 8th International Conference on Design & Emotion is very pleased to invite you to participate in this event. This conference is a forum held every other year where practitioners, academics and industry leaders meet and exchange knowledge and insights concerning the cross-disciplinary field of design and emotion.

We are looking for researchers, academics and practitioners to submit proposals.

Conference Topic
While Design &Emotion is the overarching focus of the conference–allowing us to consider all aspects of the relationship between human experience and design understood in its widest senses–the theme this year is "Out of Control".

For a number of years, uncertainty, crisis and chaos have been keywords describing the experience of many of us. A world driven by uncertainty, crisis and chaos demands different responses from design (as a community, a practice and a process). On one hand we can mitigate against these designing systems which can withstand, or manage, the challenges they produce. Here there is a focus upon design as a "problem solving" activity. On the other, we can use them as springboards to a creative future. In this way, design as "opportunity mapping" becomes important.

We would like to encompass both of these approaches to design and to examine how they impact upon, or are generated by, the whole spectrum of human emotion experienced at the macro (socio-cultural), micro (personal), meta (philosophical), processural (methodological) and strategic levels.

This conference is open to any theoretical, empirical or methodological work on Design & Emotion and we are particularly interested in receiving papers from researchers, academics and practitioners in the following topic areas (though they are by no means exhaustive and other work relevant to the theme will be considered):

 SOCIETY/CULTURE
Socially Responsive/
Responsible Design
Design for Behavioural Change
Design & Space/Environment
Design for Digital Media
Corporate Social
Responsibility

THE SELF/THE OBJECT
Design & Identity
Design & Well-Being
(incl. food, healthcare & love)
Design & Illusion,
Fake & Fraud
User Experience
(inc. Human Factors & HCI)
Experience Design

THE PHILOPHICAL
Design without Emotion
Design, Affect & the Materiality of Experience
Design, Magic & Enchantment

 PROCESSES, METHODOLOGIES, TOOLS & METHODS
Research Methodologies
Theoretical Foundations
Empirical Approaches

DESIGN, STATEGY & INNOVATION
Design & the Future (foresight/trends)
Designing Services Business Experience Branding

Deadlines
1 February 2012 -Papers & Case Study submissions
1 May 2012 -Workshops/Masterclasses submissions

Further details on the conference website

Thursday, 22 December 2011

Vacant PhD scholarship "Complex Modelling"

Though it is not specifically related to textiles, I thought I would just mention this great opportunity for PhD studentship as it might interest some of our architects and digital crafting friends. The PhD will take place at CITA, Centre for IT & Architecture, The Royal Danish Academy of Fine Arts, School of Architecture from the 1rst of April 2012. The Scholarship is for 3 years and fully funded. The position is placed within the framing research topic Complex Modelling.

A bit more content is provided below with introduction to the context of research but for full details about the application please visit this link.

Over the last 30 years, we have witnessed a large-scale digitisation of archictectural practice. Contemporary architecture is almost exclusively produced using digital tools, and the computer has become a key tool in the way architecture is thought of, designed and produced. Today, digital tools have an impact on architecture on the most simple level to the most complex one. If on the one hand, the computer is a simple drawing tool that we use to represent our surroundings, its is on the other hand also the medium through which we seek solutions to complex contemporary issues that our society faces. It is through these digital tools and their potential to compute large amounts of data with a high degree of complexity that we as a knowledge society seek to find solutions to the urbanisation of mega-cities, globalisation and sustainability.
This shift has placed new demands on our represenation forms. The new information models that are able to actively calculate the economic, environmental and spatial effects of a proposal, have transformed architectural representation into a dynamic and flexible medium that is able to interface directly with outside knowledge fields. However, information models also have there own inherent problems. They become larger because they contain data from the many practices that constitute the construction industry, they become longer because they are expanded to include several of the building phases and they become deeper because the specific volumes of information, which the models must be able to handle, are growing.
This results in a dramatic increase in complexity, and leads us to question the fundamental ways in which information models are organised. If we as architects and engineers must work with large datasets and must be able to simulate and analyse these in ways that make sense, it is necessary that we consider how these models may be presented.
Today, information models are reproduced in accordance with architecture’s traditional development in three dimensions. As an automation of plans and section views, the 3D model serves as a continuation of the traditional architectural drawing hall. This PhD project will explore how other forms of information organisation may help to create intelligent tools for architectural design, analysis and realisation. To manage these digital models concretely and optimally, it is essential to have a critical understanding of how parametric and generative computer models may be developed and monitored.

Applications are to be handed in no later than Wednesday 1 February 2012 at 12.00 noon.

Thursday, 10 November 2011

New materials within a design professional and sustainable frame of reference.

Call for PHD fellowship

Kolding School of Design invites applications for a PhD Fellowship starting 1 February, 2012 or as soon as possible after that date. The fellowship has a three year duration and is in the field:
New materials within a design professional and sustainable frame of reference.

The position will be affiliated with the future doctoral school under the auspices of the Architect and Design Schools with place of employment at Kolding School of Design, Department of Product Design.
The project will contribute to building knowledge of new materials in a broad design sense within a sustainable frame of reference. The Department of Product Design comprises three specialist domains, Fashion, Textile, and Industrial Design, and sustainability represents one of the school’s strategic target areas.
New knowledge in this field intends to strengthen creativity and innovation in terms of education and practice, contribute to renewed self-understanding, and support design solutions to the many future challenges of product design.
The application should investigate the significance of new materials on design practice. The investigation should relate to relevant, existing, international research environments that work with material knowledge at the most advanced professional level. Moreover, in terms of methodology, the project should connect to action research and/or practice-oriented research traditions such as e.g. research-through-design. Furthermore, the application should explicate how the contribution will support the development of the three specialist domains of the department, including how it will strengthen the future development of design practice and create renewed professional self-understanding.  

The Application:
There is no application form. The application must be in writing in Danish, Norwegian, Swedish or English and allow for the appointment committee to be able to assess the applicant’s qualifications and potential for completing the project.

The Application must include:
• Project description stating the subject and the thesis and delimiting the theory and methodology expected to be applied.
• A preliminary timetable which includes any expected stays with other research institutions, organisations, or companies.

The project description must be a relatively detailed design presentation of the PhD project, while the timetable must be a brief outline of the expected course of study on a quarterly basis. The application, including notes, may not exceed 14,400 characters corresponding to approx six A4 pages.

Attachments must include:

• Copy of master’s degree diploma or corresponding diploma
• Curriculum Vitae and list of any scientific or other publications which the applicant wishes to present in support of his or her application
• Any recommendations

Where possible and relevant, attached should also be:
• Information concerning project specific teaching requirements
• Information concerning special requirements regarding equipment and facilities – including requirements due to any disabilities.
• Information concerning specific requests regarding main supervisor and project supervisor as well as any secondary supervisors.

Submission and Deadline:
Application marked ”New materials within a design professional and sustainable frame of reference” must be forwarded in 4 copies to Designskolen Kolding, Aagade 10, 6000 Kolding att. Research Secretary Lise Yde no later than 15 December, 2011 at 12 PM. An electronic version (PDF file) of the application must also be uploaded via the following link:

http://golf.hr-manager.net/ApplicationInit.aspx?ProjectId=65707&DepartmentId=7546&SkipAdvertisement=true

We encourage everyone regardless of their personal background to submit their application. 

FURTHER DETAILS HERE

For more information regarding the contents of the PhD Fellowship, please contact Head of Department Mathilde Aggebo, telephone +45 76 30 11 00 or mobile +45 21 42 77 04 (ma@dskd.dk).

Monday, 24 October 2011

Design Internship Opportunity with Loop

Sonumbra, 2009, by Loop.ph

We are looking for motivated design interns to join our team on an exciting new commission.

We have been commissioned by Kensington Palace to create a public lighting installation to be installed in early january.

The commission is based on our studio's Archilace technique - creating architectural scale lace work based on the palaces historic lace collection.

We are looking for people with a textile background and good experience with hand crafting and fibre work. Following training you will be working as a team on fabricating a large architectural scale piece of electronic lace.

We are looking for 3 people to work with us 2-3 days a week starting from 1st November until mid January.

This is a paid internship and based in our London studio in Stoke Newington N16.

If you would like to apply please send us an email outlining your experience and interest in working on the commission.

Please let me know if you have any questions at Loop@Loop.pH

Friday, 27 May 2011

SPECIAL EFFECTS: TECHNOLOGY AND THE INTERIOR EXPERIENCE

INTERIORS: DESIGN, ARCHITECTURE, CULTURE - Berg Publishers

Call for Articles - Special Issue (Vol. 3 Issue 1 - 2012)

SPECIAL EFFECTS: TECHNOLOGY AND THE INTERIOR EXPERIENCE

The editors Anne Massey (Kingston University) and John Turpin(Washington State University) invite contributions to the journal's 2012 special issue SPECIAL EFFECTS: Technology and the Interior Experience. This issue will examine the impact of technology on the development of the interior and the accompanying human experience. As the 21st century unfolds, technological additions, integrations and interventions have become more pervasive altering our interface with the built environment and greatly impacting our perception of the world around us: requiring us to face reality on the one hand, and yet allowing us to slip into immersive fantasies on the other. The divisions between outside and inside have become more porous, with virtual worlds and lived experience colliding and coalescing. Gadgets for the home; technology and sustainable living; shopping and atmosphere; projecting digital place and the development of gendered technologies are all areas that are open for analysis from an interior studies perspective.

The editors welcome submissions of articles addressing the topic of the interior and technology broadly defined. Submissions reflecting the latest research on the interior from historians, practitioners and theorists are particularly welcomed. Principal articles of 5,000 to 7,000 words, including notes and references, with 4-8 illustrations are invited, and should be sent as an attachment to interiors@bergpublishers.com by 31st July 2010.

Further details of the Journal, including Notes for Contributors, are available at www.bergjournals.com/interiors

If you have any queries about the Journal or about submitting an article, please contact: interiors@bergpublishers.com

Thursday, 12 May 2011

Future Everything

Future Everything: Handmade's Digital |DIY | Craft Fair

Come down to Victoria Baths on Saturday 14th May to join crafters, hackers and makers from all over the country, as they showcase their work and ask you to get involved!

Jen Ballie will be presenting the Shared Scarf Project and invite you to participate in an interactive alternative fashion experience by enabling you to rip and mix past and present fashion trends to make them your own.

A collective collection will be co-designed live from london and streamed to the stand... lots of digital tools will be on hand to enable new design concepts. All very interactive and experimental... alternatively please check www.thesharedscarfproject.com and watch the next collection evolve - online contributions welcome.

If your in Manchester please come and say hello!




Wednesday, 6 April 2011

MAKING FUTURES


Final Call for abstracts. The closing date for receipt of abstracts is 1st May 2011.

Making Futures will be held on Thursday 15th and Friday 16th September 2011 at Dartington Hall on the inspiring Dartington Estate, Devon, UK.

Making Futures invites submissions from craft practitioners, curators, historians, theorists, campaigners, activists, and representatives from public and private agencies with an interest in the relationship between the contemporary crafts and sustainability issues.

CONFERENCE AIMS:
Making Futures is about agency, change and the search for new grounds and understandings of how the contemporary crafts are practiced in relation to developing global environmental and
sustainability agendas.

The conference explores the idea that these emerging agendas interrupt and restage the possibilities of craft in fundamental ways that are important to makers, their audiences, and to society more generally; that they present opportunities to redefine and reconstitute the crafts as less marginalised, more centrally productive forces in society, through new formulations and/or re-articulations of practices, identities, positions and markets.

All details about the call available here http://makingfutures.plymouthart.ac.uk

Friday, 18 March 2011

Co-Design Workshop 2/6: Collaborative Consumption



The Scarf Project: Think | Make | Style | Share


This interactive workshop offers an opportunity to engage in an alternative fashion experience by enabling participants to think and make for themselves. A co-design toolkit will be used to facilitate action and enable the generation of a bespoke printed scarf for each participant. The workshop will end with a style session and photo shoot.


Are you a designer? A fashion / textiles student or graduate? Or are you a consumer / fashion enthusiast? Come along and get involved in a new and exciting fashion experience which will enable you to produce a scarf unique to your own style and personality.


This workshop is free and all materials will be provided. To participate send an email to : textiles2.0@gmail.com

Saturday, 12 February 2011

Smart Textiles Design Competition for Students


Textiles are leading the pack, this become more and more present. Check out this opportunity to win 6,500 EUR for Innovative Design with Smart Textiles

'A new ambitious project puts Denmark on the world map of smart textiles. The opening of the project is marked by an international prize competition for students with a prize of 6,500 EUR. Students from all over Europe are invited to take part, and the winner is found on 12 May 2011, when TEKO, VIA University College in Herning is host for a summit for international experts and companies working with smart textiles.'


Click here to read the press release!

Contact information:

Ms. Hanne Troels Jensen, Director, Knowledge Center for Smart textiles, Tel.: +45 87 55 05 47

E-mail: htj@viauc.dk

Monday, 7 February 2011

Future Fashion Textiles Competition

+ + + + + + TFRC’s Future Fashion Textiles Competition, 2011 + + + + + +

with VF Corporation, USA

Textile Futures Research Centre is to host a design competition with VF Corporation.

VF Corporation is a US based, $7 billion apparel conglomerate and parent company to over 25 global apparel brands, including The North Face, Vans, Lee, Wrangler, Eastpak, Jansport, and Nautica, as well as several others. They will hold an Innovation Summit to in September 2011 for the executive teams of each of VF's brands, where there will be an opportunity for University of the Arts London students to present cutting-edge design research and concepts.

The Textile Futures Research Centre (TFRC) is one of the UAL’s six research centres, and is renowned for its innovative and ground breaking work in the fields of practice-based textiles design research, which explores digital, science and sustainable textiles. This TFRC / VF competition is open to all students and recent graduates (2 yrs) from Central St Martins, London College of Fashion and Chelsea College of Art and Design, including: BA and MA Textiles at CSM and CCW; MA Fashion, CSM, and MA Digital Fashion, LCF; and TFRC & UAL Research Students

Themes

The competition covers five future textiles themes, which will be explored by eminent researchers in the various fields. The launch event will be on Monday 21st February 2011 (2 – 6pm, Lecture Theatre 272 High Holborn):

Theme 1 ‘Simplicity Regained’ – Dr Emma Neuberg, Slow Textiles and Fashion Design

Theme 2 ‘Trust Rebalanced’ – Adam Thorpe, Design Against Crime (DAC)

Theme 3 ‘Networked Lives’ – Di Mainstone, Peformance, Technology and Fashion

Theme 4 ‘Responsible Living’ - Alexandra Deschamps-Sonsino, Interaction Design

Theme 5 ‘Health & Wellness’ – Suzanne Lee, Biocouture

Prizes

· 10 x TFRC Making and Mentoring Awards (£250 cash and 2 feedback sessions with a mentor)

· Top prize of £1500, work included in the VF Corp USA Summit exhibition, & trip to the summit, September 2011

Timescale

Launch Event: Monday 21st February 2011;

Deadline for Proposals: March 2011

Mentoring Awards announcement: April 2011

First Mentoring Session: May 2011, Innovation Centre, Central Saint Martins College of Art and Design


For Further Info Visit http://tfrcconnections.blogspot.com/

Tuesday, 1 February 2011

Call for participation / electro-active polymers

Do you want to find out more about smart materials? Aurélie proposes you an immersion in the world of electro-active polymers: plastics changing shape with electricity. As a part of her PhD exploring the boundaries between textiles and architecture, she is looking for benevolent(s) to assist her for the making of a responsive installation. The installation will consist in a ceiling surface made out of electro-active modules, changing shape according to wind intensity and direction. It will be displayed within the Royal Danish Academy of Fine Arts, School of Architecture, Copenhagen this coming month of March. Exhibition opens on the 11th of March and will be on until end of April.

Beyond the joys of team work, this is a great opportunity to discover the research environment CITA (Centre for IT & Architecture) as well as to get hands on and learn how to build electro-active modules. You will also get an insight on digital crafting methods, including laser-cutting and screen-printing techniques.

She would be happy to have help during these two key phases:

  • 21rst of February – 6th of March: making of electro-active polymers
  • 7th - 10th of March: setting up of the installation

If you are interested, please get in touch directly with Aurélie asp:

aurelie.mosse@karch.dk

+45 50 36 62 38

Wednesday, 26 January 2011

Call for Participation


*Call for Participation*



AN EXCITING OPPORTUNITY

Calling all current fashion or textile design students/graduates interested in collaboration: you are hereby invited to participate in a practice-led research project exploring co-design.

Design has transitioned from an era of designing ‘for’ people towards the current era of designing ‘with’ people. Brown (2010) predicts that in the future, design will become a social experience and no longer practiced in isolation.

The term Generation Y is used to define a demographic (born between 1977 and 1997) who have grown up surrounded by digital media. Tapscott (2008) argues that this group are a force of social transformation:

- As consumers they want to be prosumers co-innovating products and services

- They use digital media to edit, create and distribute their own content

- They collaborate by constructing their own social networks

- They innovate by becoming active participants within the design process.



Economic changes bound up with globalisation are increasing pressures for people to re-think current models of design and production. The fashion industry is exploring new models to enable Gen Y to participate through exploratory marketing campaigns and streaming fashion week live online. There is huge potential for digital media and design to collaborate to construct new ways of working, but a re-think of the relationship between the designer and the consumer is required: both to consider how new technology can be used to enable the exchange of skills and knowledge, and to bring us into the future with consideration to the users needs and wants.

The selected participants will be invited to a design meeting where the project will be pitched and they will play an active role in defining the overall brief. You will leave with a goodie bag of design tools, tips and tricks to get started on your design research and development.

The following week we will meet again and get to work collectively designing a collection of fashion fabrics and accessories.

This is an exciting opportunity for you to participate in a live research project and play an active role in defining new design approaches, an excellent CV opportunity.



Participant Criteria

- A current fashion or textile design student or graduate

- An Interest and familiarity with digital media tools for example, blogging, twitter, Flickr and Facebook.

- Available for two weeks to participant from Monday 7th - 18th February 2011. There will be x2 real time meetings and the rest will be online.


How to Participate

Send a few short sentences describing YOU as a designer.
Send an email to: textiles2.0@gmail.com
Include: Your name, contact information, University of study, and a blog link if you have one.

Visit - http://thetextilesampler.blogspot.com/ for updates and further information. This is the first in a series of new projects so if your unavailable and would like to be considered for up and coming events just send a quick email.
Looking forward to hearing from you!

Tuesday, 25 January 2011

What is the impact of austerity on craft making and fashion design?

Call for Contributions

Closing: 31-Mar-2011

The impact of recession and periods of austerity have led to changes in textile making and the skill base that supports these activities. The recent financial difficulties in the UK are resulting in an increase in craft based workshops, retail outlets stocking textile supplies and temporary shops popping up in residential areas that offer sewing machine classes and pay-by-the-hour sewing machines. Students and graduates of textile design courses are experiencing difficulties in obtaining work placements and employment in the sector. However, speaking recently Karl Lagerfeld (1) said that his work in fashion design has not been affected as he is working in a global arena where not all markets are in recession. The Crafts Council (2) reported in April 2009 that although there was a slight decrease in visitor numbers to recent contemporary craft events, there was no discernable impact on sales figures. They envisaged however a shift in the demographic of the contemporary crafts consumer. Changes in consumer attitudes and a reduction in the teaching of textile skills in schools have led to a generation with different perceptions of making.

Through this second call, DUCK wishes to explore how craft making and textile design activity is affected by austerity. Submissions are invited which address one or more of the following themes:

• What changes have been observed in textile craft making and/or textile design during and following periods of austerity such as financial recessions or war?
• In what ways do changes brought about through periods of financial constraint perpetuate during ‘good times’?
• How do textile designers and designer makers respond to changes in consumer demand and markets for their products?
• In what ways do financial constraints such as increased costs for materials lead to innovation and ingenuity in craft making?
• Do periods of austerity act as a catalyst for the acquisition of craft skills? Do they change the perceived value of textile design and making?
• To what extent does reduced funding for textile and textile design research impact on craft makers?
• How do periods of austerity impact on notions of luxury and bespoke in relation to textile products?

Authors will be informed of the outcome of their submission by the end of July 2011.

Submission Instructions
Contributions may take the form of written texts (maximum 5,000 words), visual essays, a series of images relating to methods (sketchbook style), visual diaries or other methods deemed appropriate but must address the research question.

Duck does not advise a particular format for written submissions although we ask that contributors present their ideas in an accessible format for Duck's diverse readership of researchers, educators, artists and designers. For written texts the Harvard System of referencing is preferred.

Images should be 300dpi where possible, RGB format and submitted as TIFF or JPEG files. Text should be provided in MS Word (.doc), rich text (.rtf) or pdf format.

Please provide your name, affiliation, email address, a title for your submission and a short summary of your contribution.

Please send submissions by email to: F.E.Kane2@lboro.ac.uk
(Maximum file size: 5mb)

Alternatively, please send on disk (CD or DVD) to:
DUCK Journal - Textiles Research Group
Loughborough University School of Art and Design
Loughborough
Leicestershire
LE11 3TU

Copyright
In submitting material to Duck, contributors thereby grant permission for it to be published on the Duck website. Contributors retain copyright of their material and may use it elsewhere after publication in Duck, though we would appreciate it if Duck could be acknowledged as the original source of publication.

Please note that it is the responsibility of contributors to obtain the necessary permissions for reproducing work other than their own.

Website(s):
- www.lboro.ac.uk

Tuesday, 30 November 2010

ArchiTextile. The Textile Medium in Architecture, Past to Present

Zurich, May 19-20, 2011

Concept:
The conference explores the textile medium, technology, material and metaphor in the history and theory of architecture from antiquity to the present. Contemporary experiments and phenomena in the architectural discourse open new perspectives onto the history and theory of architecture. Textile surfaces create architectural, social and topological spaces and are essential to the built space. Their qualities such as elasticity, foldability, plasticity, opacity and transparency are an important part of architectural language, but have not yet been studied systematically. The tension between the textile and the tectonic generates notions such as building as clothing and myths of the textile origins of architecture, and the ornamental grammar of textures connects building structures to the textus, the textual weaving. The textile medium connecting a variety of fields of human activity is equally open to historical, sociological, psychological, technological and aesthetic enquiries as it addresses issues of veiling and revealing and phenomena such as the fold, the fleece, the membrane, the curtain, the interface or the network. Historians and theorists of architecture are invited to reflect on the textility in architecture from a broad thematic and historical perspective as to contributing to a history of the textile medium.

We welcome papers that discuss subjects such as, for instance:

- Myths: textile myths of the origins of architecture (e.g. Moses' Tabernacle); anthropological origins (e.g. Gottfried Semper's Bekleidungsprinzip); nomadism in post-modern theory; modern and contemporary tent structures (e.g. Frei Otto, Herzog & de Meuron); history of the curtain wall

- Identities: sacred textile spaces (e.g. vela and cortinae in Christian, Jewish and Muslim architecture); textile display of power in the medieval and early modern period; gendered interiors (e.g. Adolf Loos, Henry van de Velde)

- Ephemerality: textile spaces in public display (e.g. medieval war tents, contemporary stadiums); theatricality of painted cloths; flexibility, changeability and performativity in contemporary architecture; mobile tents (e.g. medieval travel tents); foldable sails (e.g. antique stadium vela); tent interiors (e.g. Schinkel)

- Materials and Designs: from concrete to fiberglass; translucency of high-tech weavings; digital images and projections in space; texts printed and incised in architectural surfaces; textile geometry; CAD/digital textures; textile interiors; textile structures in urbanism

Please send your proposal for a 20 minutes paper (max. 300 words) together with a short CV and list of publications to mateusz.kapustka@access.uzh.ch. The deadline for the proposals is December 10, 2010. PhD candidates and young researchers are especially welcomed to submit their proposals.

Conference languages are German and English. The organizers will apply for funding as to cover travelling and lodging expenses. Selected papers will be published in a volume of conference proceedings.

Organizers:
Mateusz Kapustka (mateusz.kapustka@access.uzh.ch)
Laurent Stalder (laurent.stalder@gta.arch.ethz.ch)
Philip Ursprung (philip.ursprung@gta.arch.ethz.ch)
Tristan Weddigen (tristan.weddigen@khist.uzh.ch)

Institutions:
Swiss Federal Institute of Technology Zurich
University of Zurich

Link

Monday, 4 October 2010

My Crowdsoucing / Crowdvoting Experiment!

My Entry 2010


I am participating in a little project inspired and driven by my research project. As well as exploring co-design concepts for fashion and textile design, I am really inspired by social networking and new technology. Therefore I have set myself a 'crowdsourcing / crowdvoting' challenge and would love you to participate!


Crowdsoucing is an act of outsourcing tasks to the crowd through an open call for participation. The designs produced are openly revealed to the pubic who can cast votes and submit comments.


"Talenthouse is a platform providing opportunities to the world’s creative community – a place to participate in unique projects with artists and brands, collaborate, gain recognition and compensation."


I have submitted a fashion design concept for their creative invite to design a stage outfit for Florence from Florence and the Machine.


The Process


Stage 1: Create a design concept and submit

Stage 2: Gather support

Stage 3: Collect votes

Stage 4: Voting closes


Stage 5: the votes are counted

Stage 6: the top ten awarded a runner's up prize

Stage 7: the final five are sent to the artist who chooses the winner!




How it Works: all participants need to gather a bit of a following... they can use twitter, facebook, google news and email to promote their design and invite people to support them within this process. So, I have uploaded my design and am now working on stage two - gathering support!


If you would like to participate and support me during this experiment visit my Talenthouse and click the 'support jen' button. Stage three: voting, begins tomorrow and all supporters will be invited to vote via email or facebook!


I am going to blog about my progress and the experience itself throughout the duration of the week.


Will it be easy to collect votes or will I fail miserably... how will be design be received... do people love/hate it? It is officially out my my control and in your hands...